Applying a LUT to your footage is alot faster than manually adjusting the color yourself, which for long projects, or for freelancers editing for multiple clients, can be a massive time saver.
Cinematic LUT collection
"By far the best tones and presets on the whole internet." - Marco Ylajarvi
Cinematic LUT Collection by Tom Noske
A collection of my best Cinematic LUTs for LOG & Rec709 footage that I use on a daily basis to give my footage a dramatic and timeless aesthetic.
Tested to work on Canon, Sony, Blackmagic, ARRI & RED cameras.
These LUTs are designed to give you a clean cinematic aesthetic for all kind of shooting scenarios including Indoor, Outdoor, Landscape and Documentary Filmmaking without having to spend hours grading your footage.
Join more than 2000 people using these LUTs in their own videos.
WHAT'S INCLUDED?
- 8 stylized LUTs for Rec709 (.cube files)
- 8 stylized LUTs for LOG (.cube files)
- Compatible with Adobe Premiere, Final Cut X, DaVinci Resolve, Photoshop, and any other software that utilizes 3D LUTs.
- FREE BONUS - A 45 minute mini course to help you get the most out of these LUTs
If you want to create the best results:
Make sure to lower the opacity of the LUT and adjust the contrast, highlights and vibrance of your footage to fine tune the look to your style.
While these LUTs are designed to work with any footage, you will get the best results if your clips are shot in a flat picture profile for better dynamic range (eg. LOG C, SLOG or C-LOG).
For footage that has already been corrected, the Rec709 LUTs will work best, for LOG footage, the LOG LUTs will work best.
![ironman_1_419c3534-ccf0-40f2-b9a7-5713dd105236.jpg](http://tomnoske.store/cdn/shop/files/ironman_1_419c3534-ccf0-40f2-b9a7-5713dd105236.jpg?crop=center&height=1049&v=1672265564&width=2500)
So, why use LUTs?
LUTs, or Look Up Tables are an effective way of applying a specific color grade or correction to your footage.
![Untitled-1.jpg](http://tomnoske.store/cdn/shop/products/Untitled-1.jpg?crop=center&height=2076&v=1672264570&width=3000)
Achieve a consistent look
One of the biggest challenges that filmmakers face is achieving a consistent look and feel across all their videos.
LUTs can help to even out the color and contrast of different footage, apply a styalized look, or provide a solid starting point to color on top of, making it easier to achieve a consistent look across multiple projects.
Join over 2,000+ people using these LUTs to improve their workflow and create a consistent cinematic look for their videos.
![December_16x9.00_17_42_22.Still002_71b13f9c-ae24-4fca-80b6-d7700a41b3db.jpg](http://tomnoske.store/cdn/shop/files/December_16x9.00_17_42_22.Still002_71b13f9c-ae24-4fca-80b6-d7700a41b3db.jpg?crop=center&height=2160&v=1672265720&width=3840)
![December_16x9.00_17_44_14.Still001_b5c31dbd-5d17-4a25-9052-45441aaea57e.jpg](http://tomnoske.store/cdn/shop/files/December_16x9.00_17_44_14.Still001_b5c31dbd-5d17-4a25-9052-45441aaea57e.jpg?crop=center&height=2160&v=1672265800&width=3840)
Consistent Cinematic Color, Effortlessly
Speed up your workflow, and create a consistent, cinematic look across all your videos with a single LUT.
Frequently Asked Questions
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Yes, these LUTs, specifically the Rec709 versions have been tested on Canon, Sony, RED, Arri and Blackmagic cameras to ensure they work well across the board. To achieve the best results, pair these LUTs with your manufacturers Rec709 conversion LUT that you can find for free on their site.
There is also a tutorial included that details how to do this for a whole range of different cameras.
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Yes! Any updates I make to this collection will be emailed to you for download.
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Yes! There is a 45 minute mini course included with the LUT pack that has four main modules.
- How to convert your LOG footage to Rec709 with any camera - (14:40)
- How to get the most out of the Cinematic LUT collection - (13:31)
- How to make any LUT work with any footage from any camera - (04:49)
- My personal color grading workflow - (10:53)